PRESS

(and other endorsements)

from Linda Ronstadt radio interview:

  • re: QUINTET FOR GLASS AND STRINGS
    "Garry's piece is so wonderful... the quintet that he wrote for armonica and string quartet, it's just one of my favorite things on the record. I love the way the piece moves, and I love the fact that he knows the properties of the armonica so well... When you write for the glass, and let it do what it can do so beautifully, and surround it with things that flatter it and that it flatters in return, it's really an extraordinary thing... This piece was so well done. I love it. I don't get tired of it."

  • re: Eister's orchestration of Faure's PAVANE
    "It [Faure's Pavane] always haunted me, my whole life, so I wanted to hear it as a vocal piece, as a vocal duet with the Cristal. Garry was amazingly accommodating... he was just wonderful. He's a very good orchestrator, and so we wound up with a lovely orchestration and a completely unique approach to this piece of music."

    Linda Ronstadt speaking on Afternoon Classics with Marisa Waddell, 9/30/03
    KCBX, San Luis Obispo, CA

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    Endorsements:


    "I first met Garry in, I believe, 1973. Soon afterwards we began working together in the ensemble The San Andreas Fault, a group that performed extensively in California and in Great Britain, Scandanavia, and Western Europe. Garry also toured with me in my ensemble The Daniel Lentz Group. In about 1980 or '81 Garry went off on his own and has enjoyed considerable success, especially as a composer of rich harmonic musics. His recent work continues in this vein... it is beautiful, even when it is not necessarily pretty. It has a strong historical foundation, and often a spiritual one as well. A passing phrase might intuitively show a glimpse of Machaut while sitting in a sonic field of lush 9th chords/harmonies. Always a skilled and knowledgeable performer, Garry's compositions are always "performer friendly," even when he asks performers to do things that are wildly different from what performers are usually asked to do. Most importantly, his music sounds like it is made in California.... as Debussy's sounds Parisian, or Webern's sounds Viennese. And because his music reflects the whole of Western music from the medieval to the present, it is perhaps safe to call him a "postmodern reconstructionist" composer; certainly one of the most important of his generation."

    Daniel Lentz, personal endorsement, 1/22/00


    "Garry is a superb modern 'classical' composer...."

    George Massenburg on MusicPlayer.com Expert Forum internet discussion group, 11/10/01

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